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Mofac Animation Unveils Animated The King of Kings
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Mofac Animation Unveils Animated The King of Kings

Mofac Animation Inc., South Korea’s most decorated visual effects studio, proudly announces its first-ever full-length animated movie: The King of Kings, an animated family film inspired by a little-known short story by Charles Dickens depicting the life and times of Jesus Christ.

The faith-based movie is in its final stages of production at Mofac Animation, as well as in performance recordings from the United Kingdom to the Hawaiian Islands – and numerous locations in between. The ever-growing, A-list cast will be announced at a future date. Mofac Animation is currently seeking potential distributors.

In the film, Charles Dickens finds trouble balancing his writing and performing with the parenting of his children – particularly his youngest son, Walter. Charles discovers the perfect bonding element via the sharing of his short story The Life of Our Lord – the reading of which would become an annual tradition in the Dickens’ family Christmas celebration. Master storyteller Charles and his imaginative son Walter find common ground within the entrancing story of Jesus, his well-known trials and tribulations, and his notable colleagues and foes – with animation allowing the Dickens pair (and the family cat Willa) to become intrinsically immersed in the ancient tale. The result is an animated film that makes the biblical journey easily relatable, readily understood and captivatingly entertaining for families and, especially, to children of all ages.

The King of Kings is the labor of love for director and co-writer Seong-ho “Jay” Jang, one of the most respected filmmakers in Korea and an unparalleled pioneer in the visual effects realm. His 100+ credits across the past three decades include Grand Bell Awards Best Film honoree Joint Security Area, Starz’s popular Spartacus television series, Cannes Film Festival entry The Taste of Money, the Clive Owen/Morgan Freeman starrer Last Knights, and the fantasy adventure comedy sequel Journey to the West: The Demons Strike Back, which shattered several Chinese opening weekend box office records.

The film is co-written by Jang and Rob Edwards, best known for scripting Disney’s animated feature films The Princess and the Frog and Treasure Planet, as well as episodic contributions to popular television series like In Living Color, The Fresh Prince of Bel-Air, A Different World and Full House. Edwards recently completed an adaptation of The Great Escape for Academy Award-nominated director/producer Reggie Hudlin (Django Unchained) and a feature film adaptation of the popular video game series Call of Duty for Academy Award-nominated producer Stacey Sher (Pulp Fiction, Erin Brockovich) at Activision Productions.

The King of Kings features an all-star lineup of international production talent, including BAFTA-winning cinematographer Woo-Hyung Kim (Cannes Film Festival Palme d’Or nominee The Taste of Money), much sought-after composer Tae-seong Kim (all-time Korean box office record-holder Roaring Currents), and Emmy Award-winning dialogue & casting director Jamie Thomason (Spirited Away, The Spectacular Spider-Man, The Tigger Movie), who also serves as an executive producer alongside veteran filmmaking aficionados Andrew Mann (Imperium, Outcast). Anfernee Kim (Last Knights, John Woo’s The Crossing 2) is the film’s producer.

“For the past 2000-plus years, the story of Jesus has been told and re-told in countless ways across virtually every country on the planet,” explains Jang. “This is a deeply personal story to all of us on the production crew, and we know it resonates with so many around the world. The added joy of this little-known iteration is that you see the story unfold not only from Charles Dickens’ unique literary perspective, but through his son Walter’s eyes – which ultimately provides young viewers with even greater access and understanding of who Jesus was and all that he represents.”

The King of Kings represents an obvious opportunity for superior filmmaking and significant box office success. “The universal story of Jesus Chris transcends all cultures, creating an automatic entry in theaters across the global marketplace,” explains producer Anfernee Kim. “More than 2.5 billion Christians across the planet enthusiastically embrace faith-based entertainment, and that demand expands with a presentation in the form of an engaging, inspirational, appropriately fun yet obviously heartfelt, high-quality animated film that the entire family can enjoy.”

Mofac Animation is actively seeking a distribution partner who will provide the most advantageous match to effectively reach the film’s multi-tiered fanbase that captures fan of faith-based films, animated faire and general entertainment. “Obviously, this is a universally appealing story to a wide audience, and we look forward to partnering with the appropriate entity for maximum distribution,” Anfernee Kim added.

Black Hammer: Visions, Vol. 1 by Jeff Lemire’s friends
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Black Hammer: Visions, Vol. 1 by Jeff Lemire’s friends

My standard complaint about the Black Hammer comics is that they’re mostly static, locked into an initial premise that wasn’t all that exciting to begin with. I suppose that’s in distinction to “real” superhero comics, which rely on the façade of change – someone is always dying, someone’s costume is always changing, someone is always making a heel-face turn, and worlds are inevitably always living and dying so that nothing will ever be the same – but it’s not self-reflective enough to count as irony.

But some kinds of stories aren’t supposed to change anything – the whole point is that they don’t, and can’t, change the things we already know. Jam comics by entirely different creators tend to fall into that bucket: they’re sometimes “real” and sometimes not, but even if they’re canonical, they don’t push the canon in any direction.

Black Hammer: Visions, Vol. 1  is a book like that – it collects four of the eight issues of the title series, each one of which was a separate adventure, by an entirely different team, set in the Black Hammer-verse. It’s all sidebar, all “I want to do this story” by people who will do only one Black Hammer story and this is it. So it’s self-indulgent in a somewhat different, more inclusive way than the main series.

Since the four issues here are entirely separate – and half of them have no credits within the stories themselves, making me wonder what comics editors do with their time if they can’t handle the most basic parts of their jobs – I’ll treat them each in turn.

Issue 1 has a story, “Transfer Student,” written by comedian Patton Oswalt and drawn by Dean Kotz, which is supposedly about Golden Gail but really is a light retelling of Dan Clowes’s Ghost World – I’m 99% sure Oswalt knew it was a comic first, and not just a movie – in the context of the pocket universe. This is pleasant and well-told and has decent emotional depth, but… We the readers know that the Enid character can never get out of this town: there’s nowhere else to go. She can’t go to college, find new friends, and have a different world to fit into. She is stuck in small-town hell, in the background of someone else’s depressive superhero story.

Oddly, the narrative doesn’t seem to know this. And that knowledge makes the reading of this story a substantially different experience than I think Oswalt wanted: this is a dark, depressing story with bone-deep irony, saying one thing and meaning the exact opposite.

The second issue sees Geoff Johns and Scott Kolins bring us “The Cabin of Horrors!”, a Madame Dragonfly-hosted horror tale. It features what could have been the sensational character find of 1996, Kid Dragonfly, and a nasty serial killer getting his comeuppance. This one feels the most like an actual random issue that could have been part of a larger comics line at the time – well, more like a Secret Origins retelling, cleaning things up maybe a decade later, but still in the same vein.

It’s a perfectly acceptable horror/superhero comics story, entirely professional and hitting all of its marks.

In the third installment, Chip Zdarsky writes and Johnnie Christmas draws “Uncle Slam,” the obligatory “I’m too old for this shit” story. The person too old for the shit is of course Abraham Slam; that’s been his main character note for the entire series. Here, he’s sixtyish, retired, running a gym and dating a woman who I think is meant to be a little younger than him but looks childlike (much smaller, very thin, drawn with a young face). But of course a new, more violent hero “takes his name” and he Has To Stand Up for Punching Evil the Right Way (Without So Much Death), which goes about as well as it ever does. He does not die, since he’s a superhero-comics protagonist, but other people do, and he loses a lot. The ending tried to move away from And It Is Sad, and would have been OK if this were a standalone story, but we know Abe gets back into the costume like five more times after this point, so it’s mostly pointless.

And in the last of these stories, Mariko Tamaki (of all people!) tells a story with Diego Olortegui art that I don’t think has a title. It’s a fun bit of metafiction, with our core heroes seen in multiple universes, as the viewers of and characters in and actors behind a popular TV show, with different relationships and interactions on each level. It is amusing, a fun exercise in moving the chess pieces around in unexpected but pleasant ways, but it doesn’t really turn into a specific story – it’s just a sequence of riffs on these characters and their interactions.

On the other hand, that’s the most successful and interesting thing in the book, so I can overlook the not-going-anywhere aspects.

So: all in all, it’s amusing and is pretty much what you would expect – random quirky takes on these characters and situations by other people, who each get to have one good idea for this setting and then go back to their real careers.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

Madame Web Makes Disc Debut April 30
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Madame Web Makes Disc Debut April 30

SYNOPSISMadame Web tells the standalone origin story of one of Marvel publishing’s most enigmatic heroines. The suspense-driven thriller stars Dakota Johnson as Cassandra Webb, a paramedic in Manhattan who may have clairvoyant abilities. Forced to confront revelations about her past, she forges a relationship with three young women destined for powerful futures…if they can all survive a deadly present.
DISC DETAILS AND BONUS MATERIALS
4K UHD, BLU-RAY™ & DIGITAL EXTRAS
o    Gag Reel 
o    Easter Eggs
o    Oracle Of The Page 
o    Fight Like A Spider 
o    Future Vision 
o    Casting The Web 
o    Deleted Scene 
DVD
o    Future Vision
o    Casting The Web

4K UHD, Blu-ray™ & DVD include a digital code for movie and bonus materials as listed above, redeemable via Movies Anywhere for a limited time. Movies Anywhere is open to U.S. residents age 13+. Visit MoviesAnywhere.com for terms and conditions.
CAST AND CREWDirected by: SJ Clarkson
Produced by: Lorenzo di Bonaventura
Based on The: Marvel Comics
Story by:  Kerem Sanga and Matt Sazama & Burk Sharpless
Screenplay by: Matt Sazama &  Burk Sharpless and Claire Parker & SJ Clarkson
Executive Producers: Adam Merims, SJ Clarkson, Claire Parker
Cast: Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O’Connor, Tahar Rahim, Mike Epps, Emma Roberts, Adam ScottSPECS
Run Time: Approx. 116 minutes
Rating: PG-13 for violence/action and language
 
4K UHD: 2160p Ultra High Definition / 2.39:1• Audio: English Dolby Atmos (Dolby TrueHD 7.1 compatible), English & French (Doublé au Québec)- Audio Description Tracks 5.1 Dolby Digital  • Subtitles: English, English SDH, French, Spanish • Color • Some of The Information Listed May Not Apply To Special Features or the Blu-ray disc ™
Blu-ray™: 1080p High Definition / 2.39:1 • Audio: English, French (Doublé au Québec), Spanish 5.1 DTS-HD MA, English & French (Doublé au Québec)- Audio Description Tracks 5.1 Dolby Digital  • Subtitles: English, English SDH, French, Spanish • Mastered in High Definition • Color • Some of The Information Listed May Not Apply To Special Features.
DVD: 2.39:1 Anamorphic Widescreen • Audio: English, French (Double au Quebec), Spanish 5.1 Dolby Digital, English & French (Double au Quebec)- Audio Description Tracks Stereo • Subtitles: English, English SDH, French, Spanish • Color • Some of The Information Listed May Not Apply To Special Features.
Monet: Itinerant of Light by Salva Rubio & Efa
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Monet: Itinerant of Light by Salva Rubio & Efa

There are people who can keep all of the Impressionists straight – who can even say which of those famous 19th century French painters are really Impressionists and which aren’t. They can quickly and easily explain the differences between Manet and Monet, have strong opinions on Renoir and Degas, and their minds contain at all times an accurate timeline of the major exhibitions.

I am not not one of them. I know I’ve seen Monet’s paintings here and there, and can nod appreciatively at them, but if you showed me a big sheaf of unlabeled Impressionist paintings and asked me to match them with painters, I can confidently say I would attribute most of them wrongly in defiance of all laws of probability.

So I come to Monet: Itinerant of Light , a 2017 graphic novel written by Salva Rubio, painted by (Ricard) Efa, and translated by Montana Kane, with the attitude of a student or a dilettante. I will not be able to tell you if Rubio – a historian by training – got the facts and dates right, though I assume he did and his notes tend to back that up. I will not be able to give any deep explication to the many times Efa references or mirrors a famous painting – by Monet, or by others – as a panel or full page in this book, though there’s about a dozen pages of notes and images in the back of this book pointing out many of those.

I’m pretty sure this is definitive and true, visually as well as factually. Efa does the book in what I think are full paints, and his pages are gorgeous, full of color and energy and of course delighting in the play of light where appropriate. But I do have to assume all of that.

It’s organized as a fairly standard biography, starting with an aged Monet getting a cataract operation and then flashing back, through his memory, to tell the vast bulk of the story in normal sequence, starting with Monet as a young teen first starting to paint. The Impressionists were upstarts and rebels, which means a lot of the story is about poverty and strife, as Monet spent years painting things that made only a little money and got only scorn from the critics.

We all love that story, since we’re reading it a century later, and we can be on the side of the eventual later critical consensus without any effort. The fact that it’s a true story makes it even better, of course.

Monet is gorgeous and interesting and I have to assume true. It is best, I think, as an introduction, and a graphic novel is, in my opinion, the very best format for a biography of a visual artist, since it can show what the work looks like in a natural, organic way. I hope some of it will stick, and I will be slightly better at Impressionist-spotting going forward, but I wouldn’t bet on it.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

Black Widow: Venomous Sees Natasha Become Symbiote Hero
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Black Widow: Venomous Sees Natasha Become Symbiote Hero

New York, NY — Last year in the pages of Al Ewing and Torunn Gronbekk’s hit run of Venom, Black Widow became host to a symbiote of her own, and the results have been deadly! This July, dive into this startling development as Natasha fully embraces her new place in the symbiote hivemind in BLACK WIDOW: VENOMOUS #1!

Announced earlier in AIPT’s new Venom Monday column, the one-shot will be written by rising star Erica Schultz, known for her thrilling work on Daredevil: Gang War and Hallows’ Eve, and drawn by superstar artist Luciano Vecchio, currently delivering a breathtaking saga in Resurrection of Magneto. Together, they’ll unleash Natasha Romanoff’s full potential as a symbiote warrior, just ahead of Venom War, an upcoming symbiote event launching later this year that will see every symbiote star choose a side in an explosive conflict between Venom father and son duo, Eddie and Dylan Brock!

THE WIDOW’S BITE IS VENOMOUS! Natasha Romanoff, the infamous spy known as the Black Widow, didn’t go looking to bond with an alien symbiote. But a good spy works with all the tools available to her, and when one of the most powerful and versatile weapons in the universe lands in your lap…you take it. Now she just needs to figure out how to work with a weapon with its own drives and desires. Redefining Widow’s relationship with her symbiote, and setting the stage for her appearance in Venom War!

“Who doesn’t want to write Natasha Romanoff? And with a badass symbiote, it didn’t take much to convince me,” Schultz said. “Luciano Vecchio’s art is so amazing. It’s been so fun to delve into Nat’s spy craft techniques, and you just may learn something new about her.”

BLACK WIDOW: VENOMOUS #1
Written by ERICA SCHULTZ
Art by LUCIANO VECCHIO
Cover by LEIRIX
On Sale 7/31

Imaginary available on Electronic Sell-Through May 7, Disc and Digital May 14
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Imaginary available on Electronic Sell-Through May 7, Disc and Digital May 14

SANTA MONICA, CA (April 2, 2024) – Keep your new best friend forever when IMAGINARY arrives on Electronic Sell-Through May 7 and Blu-ray™ (+ DVD and Digital), and DVD from Lionsgate. IMAGINARY stars Chauncey the Bear, Blumhouse’s latest horror icon, now ready to play in your imagination at home! But remember, Chauncey is not imaginary, and not your friend. Alongside Chauncey are his human castmates DeWanda Wise (Jurassic World Dominion), Tom Payne (“The Walking Dead”), Taegen Burns (“The Mighty Ducks: Game Changers”), Pyper Braun (Desperation Road), Betty Buckley (Carrie), Matthew Sato (“High School Musical: The Musical: The Series”), and Veronica Falcón (“Ozark”).

When Jessica moves back into her childhood home with her family, her youngest stepdaughter, Alice, finds a stuffed bear named Chauncey. As Alice’s behavior becomes more and more concerning, Jessica intervenes only to realize that Chauncey is much more than the stuffed toy bear she believed him to be.
 
Lionsgate and Blumhouse present a Tower of Babble production. Written by Jeff Wadlow & Greg Erb & Jason Oremland. Directed by Jeff Wadlow.
 
On May 7, Imaginary will be available on Electronic Sell-Through for $14.99, and on May 14, Imaginary will also be available on Blu-ray™ (+ DVD and Digital) for $39.99 and on DVD for $29.96.
 
CAST:

  • DeWanda Wise                Jurassic World Dominion, The Harder They Fall
  • Tom Payne                      “Prodigal Son,” “The Walking Dead”
  • Taegen Burns                  “The Mighty Ducks: Game Changers,” “Blue Ridge”
  • Pyper Braun                     Desperation Road, “Erin & Aaron”
  • Betty Buckley                  Split, The Happening, Carrie
  • Matthew Sato                  “High School Musical: The Musical: The Series”
  • And Veronica Falcón       “Ozark,” “Perry Mason,” The Forever Purge

 
SPECIAL FEATURES:

  • Audio Commentary by Producer-Cowriter-Director Jeff Wadlow and Executive Producer-Actress DeWanda Wise
  • Meet Your New Imaginary Friends
    Meet the cast of Imaginary as they discuss the meaning behind their characters and the terrifying creatures of the Never Ever. They also discuss the universal childhood experience of imaginary friends and how that plays such a crucial part in how they worked through this film.
  • Frills and Thrills
    Costume designer Eulyn C. Hufkie uncovers the real-life inspirations behind her designs for the leading ladies of Imaginary. 
  • Crafting the Beasts of Imaginary
    Meet Mark Viniello, Claire Flewin, Richard Landon, and Tim Huizing, the Spectral Motion team and puppeteers behind Chauncey the Bear and Bear Beast. Prepare to be amazed as they guide you through a captivating showcase, unveiling their remarkable creations. Immerse yourself in the behind-the-scenes and feature footage that reveals the magic behind each practical effect and how they breathe life into the world of Imaginary.
  • Bringing Nightmares to Life
    Step into the realm of nightmares as you embark on the Never Ever created by production designer Meghan C. Rogers. We’re guided through the home’s terrifying rooms, each infused with an unsettling sense of dread. We unveil the builds, craftsmanship, and attention to detail that brings Jessica’s nightmares to life, from the writing on the walls to the haunting crawl space entrance into Never Ever. Here you’ll gain insight into the twisted world of Imaginary. 
Iconic Original Karate Kid hits 4K on June 18
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Iconic Original Karate Kid hits 4K on June 18

SYNOPSIS
Celebrate the 40th anniversary of the coming-of-age classic — from Academy Award®-winning director John G. Avildsen (1976, Rocky) — that will leave you cheering! There is more to karate than fighting. This is the lesson that Daniel (Ralph Macchio), a San Fernando Valley teenager, is about to learn from a most unexpected teacher: Mr. Miyagi (Noriyuki “Pat” Morita in his Academy Award®-nominated performance, Best Supporting Actor, 1984), an elderly handyman who also happens to be a master of the martial arts. His training and these vital lessons will be called into play when an outmatched Daniel faces Johnny (William Zabka), the skilled leader of the Cobra Kai — a vicious gang of karate school bullies — in a no-holds-barred karate tournament for the championship of the Valley.

DISC DETAILS AND BONUS MATERIALS
4K ULTRA HD DISC
• Restored from the original camera negative, presented in 4K resolution with Dolby Vision
• English Dolby Atmos + English 5.1 + English Stereo
• Special Features:
o ALL-NEW: Commentary with the Creators of Cobra Kai Josh Heald, Jon Hurwitz and Hayden Schlossberg
o ALL-NEW: Over 30 Minutes of Deleted Scene Dailies – go behind the scenes of this classic favorite like never before with raw footage from a variety of unused scenes!
o 4 Deleted Scenes
o Remembering The Karate Kid Featurette
o Theatrical Trailer
BLU-RAY DISC™
• Feature presented in high definition
• English 5.1
• Special Features:
o Blu-Pop™ Pop-Up Track
o Commentary with Director John G. Avildsen, Writer Robert Mark Kamen and Actors Ralph Macchio and Pat Morita
o “The Way of The Karate Kid” Multi-Part Making-Of Featurette
o “Beyond the Form” Featurette
o “East Meets West: A Composer’s Notebook”
o “Life of Bonsai” Featurette

CAST AND CREW
Directed By: John G. Avildsen
Produced By: Jerry Weintraub
Written By: Robert Mark Kamen
Cast: Ralph Macchio, Noriyuki “Pat” Morita, Elisabeth Shue, Martin Kove, William Zabka

SPECS
Run Time: Approx. 127 minutes
Rating: PG
4K UHD Feature Picture: 2160p Ultra High Definition, 1.85:1
4K UHD Feature Audio: English Dolby Atmos (Dolby TrueHD 7.1 Compatible) | English 5.1 DTS-HD MA | English Stereo DTS-HD MA

Fungirl: You Are Revolting by Elizabeth Pich
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Fungirl: You Are Revolting by Elizabeth Pich

I’ve gotten out of the habit of reading individual comics issues – because I first got out of the habit of buying them. There were a lot of factors there, but an already-ebbing stream turned to nothing after the 2011 flood destroyed all of my existing floppies. Since then, if it’s not in book form, I basically don’t read it.

But my library app – Hoopla , another silly name because everything Internetty is required to have a silly name – includes individual issues, all mixed in their general “Comics” section in a way that sometimes makes it hard to tell if something is a book or a floppy. (Well, they all have page counts: that’s a big clue. When I forget to check that, it’s entirely on me.) So I now can read floppy comics, at least some of them, about as regularly as I want.

I still haven’t really done it much.

But I did read the big collection of Fungirl  comics by Elizabeth Pich recently, and noticed there were two other newer “books” – both fairly short – and decided to give this one a go on a recent busy Saturday.

Fungirl: You Are Revolting  is 32 pages, so I’m pretty sure it was a floppy comic in its corruptible, mortal state. It calls itself a “one-shot,” which is mostly a floppy-comics term. (Books can be in a series, but rarely see the need to announce that they’re not.) And it, like the first book and all things Fungirl, is resolutely not for younger or more impressionable readers.

There’s one story here, following from the end of the big book. Becky, Fungirl’s roommate, is off at med school in another town, so Fungirl is looking for someone to rent Becky’s old room. Quirkily, Peter (Becky’s boyfriend) is both lampshaded as “not living here” – so he’s not going to take over the sublet – and also there all the time, including first thing in the morning in his sleeping clothes, looking like he is living there. But that’s the premise, so no complaints.

A potential roommate arrives, after a portentous dream of Fungirl’s. She’s dressed all in pink, Fungirl immediately lusts for her, she takes the room, and she never gives her name. The plot from there is mostly sex and jealousy: Peter is trying to quell his worries about Becky, away in a distant city with people who are not him, and Fungirl starts screwing New Girl, who is crazy, or has a big secret, or something like that.

It all escalates quickly, and New Girl is not what she seems. I’m not sure what she is – after the dream opening, the whole thing might even be a dream – but she is something, and Fungirl has to Stop Her. I won’t spoil the way Fungirl does stop her, but it’s both very on-brand and very adult.

Fungirl is still wild and wacky, her stories boundary-pushing and frantic. I’m glad to see there’s one more book: this is like nothing else and very funny in its demented, deeply female-centric way.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

Luc Besson’s Influential La Femme Nikita gets 4K Steelbook in June
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Luc Besson’s Influential La Femme Nikita gets 4K Steelbook in June

SYNOPSIS
From director Luc Besson (The Fifth Element) comes the must-see thriller about a vicious street punk turned sexy, sophisticated, and lethally dangerous assassin. Starring Anne Parillaud, Jeanne Moreau, and Jean Reno, La Femme Nikita is “slick, stylish, and tremendously entertaining” (The New York Times)! Rescued from death row by a top-secret agency, Nikita (Anne Parillaud) is slowly transformed from a cop-killing junkie into a cold-blooded bombshell with a license to kill. But when she begins the deadliest mission of her career, only to fall for a man who knows nothing of her true identity, Nikita discovers that in the dark and ruthless world of espionage, the greatest casualty of all…is true love.

DISC DETAILS AND BONUS MATERIALS
4K ULTRA HD DISC
• Restored from the original camera negative and presented in 4K resolution with Dolby Vision
• French & English 5.1 + French 2-Channel Surround
This 4K UHD release does not include a Blu-ray™

CAST AND CREW
Directed By: Luc Besson
A Gaumont-Gaumont Production-Cecchi Gori Group Tiger Cinematografica France-Italy Co-Production
Original Screenplay By: Luc Besson
Cast: Anne Parillaud, Jean Hugues Anglade, Tcheky Karyo

SPECS
Run Time: Approx. 117 minutes
Rating: R
4K UHD Feature Picture: 2160p Ultra High Definition, 2.35:1
4K UHD Feature Audio: French, English DTS-HD Master Audio 5.1, French DTS-HD Master Audio 2.0

Ultimate Gewn Stacy Arrives in April’s Ultimate Spider-Man
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Ultimate Gewn Stacy Arrives in April’s Ultimate Spider-Man

New York, NY — Since launching in January, Jonathan Hickman and Marco Checchetto’s ULTIMATE SPIDER-MAN has become the ULTIMATE hit! Each issue has demanded multiple printings as daring storytelling shifts to the Spider-Man mythos hook longtime comic readers and new fans alike! The series has introduced devoted family man Peter Parker, his wife Mary Jane Watson-Parker, their two precocious kids, and Peter’s beloved Uncle Ben. On sale in April, ULTIMATE SPIDER-MAN #4 will debut another member of the iconic Spidey family—GWEN STACY!

In this exciting new universe, Gwen never met a tragic fate. Instead, she married Harry Osborn and now co-runs Oscorp Industries. Learn more about this ambitious power couple when the Parkers and Osborns go on a double date! Amidst cocktails, small talk is quickly dispersed as this fearless foursome discuss exposing the dark corruption that shaped their world. Little do they all know that the two men at the table have already taken matters into their own hands by suiting up as the vigilantes Spider-Man and Green Goblin!

See the new Ultimate Universe’s take on Marvel’s “It Girl” on a new ULTIMATE SPIDER-MAN #4 variant cover by Mateus Manhanini as well as never-before-seen interior artwork from guest artist David Messina. Messina will bring his acclaimed style to the title for two issues before series artist Checchetto returns in June’s ULTIMATE SPIDER-MAN #6.

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